Dancing in the Streets: A History of Collective Joy is a book authored by Barbara Ehrenreich. Contents. 1 Description; 2 Well-known examples of Collective Joy. In her latest book, Dancing in the Streets: A History of Collective Joy, Barbara Ehrenreich traces the history of group festivities and the emotions these. Seeing Like a State by James C. Scott Crowds and Power by Elias Canetti Dancing in the Streets by Barbara Ehrenreich The Face of Battle by John Keegan The.
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I cannot celebrate Dancing in the Streets although from the catchy title I expect an enjoyable experience.
The crowd at the river tends to be sitting in the water in folding chairs toted down from the campgrounds, or parked along the shore, or turning off their minds, relaxing and floating downstream in various kinds of creative floatation devices. Particularly interesting are the ways early Christianity still contained many aspects of earlier ecstatic traditions.
Dancing in the Streets by Barbara Ehrenreich
Though I’m not a historian, the author’s viewpoint of pre-protestant reformation Europe being this great society, buoyed by the Carvinal tradition, only to be turned into a society of unhappy, stressed, depressed people by the elimination of the group dance aspects of Christianity seem a dancimg. It turns out my interests in dancing and community are closely related, which finally makes sense to me.
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Aug 16, Kent Winward rated it really liked it. Events took on carnival characteristics. May 23, Jacquelyn Fusco rated it it was amazing. Letting yourself go led to ecstatic experiences.
Later, after Ehrenreich self identifies as an anti-war protestor and hippie and heralds rock music for uniting this community, she criticizes cultural anthropologist Victor Turner, who had a negative viewpoint on the hippie counterculture.
Hardcoverpages. Naturally, this led to an epidemic of morbid melancholy depression. It’s odd to me how few of the details Ehrenreich explores here are a part of any discourse on religion or in this case Christianity that I’m familiar with. Just go dance about with your neighbors. This limited exploration is disappointing.
Refresh and try again. Thought provoking and engaging, it started out a little bit dry but picked up speed.
Dancing in the Streets – Wikipedia
Pygmies had no word for evil. Ehrenreich is skeptical of these similarities and seems to feel they are a sign of manipulation.
Working dancong this restrictive definition, the author takes the view that such occasions have vanished, and that we have lost an essentia I was disappointed to find that “collective joy” was narrowly defined in a very specific sense of trancelike, community-wide ritual associated with religious festivities.
And when the gods come, they may be recognized for who they are. And then — Sieg Heil!
It is interesting to note here that Dr. Modern psychology is focused on self-control, being a dependable human resource in an industrial society.
It’s not so easily categorised. They are also books where her writing is quite personal and succinct. Paradise was where their feet were standing. When I read about Barbara’s most recent book, “Dancing in the Streets,” s Barbara Ehrenreich is an engaging, enlightened and incisive critic of western culture, particularly in the company of writers on the New York Times Best Sellers List.
Most are of the same nature but in different cultural settings. Hitler was a masterful performer and bullshit artist who entranced vast crowds with his highly animated oratory, repeatedly shouting slogan after slogan. Pot kettle black anyone?
Dancing in the Streets by Barbara Ehrenreich | Quarterly Conversation
Jun 29, Jessi Vowels rated it it was ok Recommends it for: Jul 28, Larry Bassett rated it it was ok Shelves: Reading the title I expected description of different forms of collective joy in cultures all over the world. On the other hand Dancing in the Streets hammers home its points by excessive repetition. The book begins, chapter one, with “The Archaic Roots of Ecstasy” dancihg documented in prehistoric art, and moves along to the cult of Dionysus “Who was this god who could intoxicate the mighty as well as the poor, who dared to challenge the power of men over women?
One thing I can agree with her- collective joy is important for society and is missing in most peoples lives today. While Ehrenreich’s book didn’t fill that hole, it at least explained why I feel it.
For the song, see Dancing in the Street.